"We found they worked very well in a tree configuration and they ended up as the main mics for all the large-scale concerts," explained Matt Parkin, the Classical Music Production Co-ordinator who organised the recordings made in the Usher Hall during the Edinburgh Festival.
"We made two interesting discoveries; (a) these mics have an exceptionally high output level and apparently excellent signal-to-noise performance, and (b) they were very bright. We ended up using a high-shelf filter to make them less bright for this application, usually at about 6.3 kHz and anything between -2 and -6dB. Fortunately the Sony desk we were using has very smooth, clean, repeatable EQ so this wasn't a problem though it might be more of an issue with lesser (or analogue) desks.
They will certainly be on our wish list for the future, next time any spare cash comes along, or perhaps if there's a similarly busy Edinburgh Festival next year."




